The distinct vibrant palettes across Wes Anderson’s oeuvre, from “The Royal Tenenbaums” to “Moonrise Kingdom.” The sinister reds used in “Mandy.” The icy blues in “The Dark Knight.” The pink-purple ...

Light is light, right? Not exactly. The light that comes from the overhead fluorescents at your office is probably nothing like the light that pours from your favorite chandelier at home or that of ...

One of the least understood controls on nearly all modern televisions is the color temperature control. Casual adjustment of this can result in the image appearing too red, or too blue. Setting this ...