When you remember Clark Gable telling Vivien Leigh that, frankly, he doesn’t give a damn in “Gone With the Wind,” or Daniel Kaluuya getting sent to the “sunken place” in “Get Out,” you’re picturing a ...

Imagine a frame so close that every subtle twitch becomes a narrative in itself. That’s the essence of an extreme close-up shot. In the world of filmmaking, this technique isn’t just about zooming ...