Balanchine admired Glazounov's score for the three-act ballet Raymonda, calling it "some of the finest ballet music we have." As a student in St. Petersburg, Balanchine danced in the Maryinsky Theatre ...

Stanton Welch’s commitment to keeping classical technique alive at Houston Ballet takes a new turn this week with the premiere of his “Raymonda,” a grand production that promises three hours of ...

The Boston Ballet premiered Mikko Nissenen’s reimagined one-act version of “Raymonda” as part of their Winter Experience this February. “Raymonda” stands alongside “The Sleeping Beauty” and “Swan Lake ...

The Mariinsky Ballet finally arrived on the East Coast of the United States 118 years after its initial apparition in a revival of “Raymonda,” a classical piece of the Russian ballet repertoire, at ...

In the heart of the nation's capital, in a courthouse of the U.S. government, one man will stop at nothing to keep his honor, and one will stop at nothing to find the truth.

Boston Ballet has an ambitious goal for its upcoming “Winter Experience” Feb. 22-March 3 at the Citizens Bank Opera House. Artistic director Mikko Nissinen likens it to a cinematic double feature, ...

City Ballet of San Diego’s 29th-anniversary “Season Like No Other” certainly was: four productions — including two world premieres — and except for a live, in-the-round presentation of “The Nutcracker ...

In the opening scene of SF Ballet’s “Raymonda,” a man shoots a woman. Then he steps out from behind his camera. Like a phrase whose double meaning is only revealed when you read it aloud, the initial ...

Stanton Welch’s new “Raymonda” is a Fabergé egg of a ballet, gob-smackingly sparkly yet refined, with three hours of non-stop classical dancing as brilliant as the sets, costumes, lighting and music.

Performances in N.Y.C. Advertisement Supported by Tamara Rojo, San Francisco Ballet’s incoming artistic director, has half updated the 19th-century work for English National Ballet. By Laura Cappelle ...